From Inspiration to Atmos: Crafting 'Luminal Wish' - A Christmas Composition Journey



Introduction

The journey of creating music, particularly a piece as intricate and evocative as "Luminal Wish," is akin to painting with sound.

It's a process filled with inspiration, technical mastery, and the magic of Christmas.

Here, I'll take you through this journey, from the spark of an idea to the final, immersive Atmos mix that encapsulates the essence of a Christmas wish.




The Spark of Inspiration

Every piece of music begins with a spark. For "Luminal Wish," it was the image of a starlit Christmas Eve, where the silence of the night is broken only by the soft, hopeful whispers of wishes made under the glow of festive lights.

The idea was to capture this moment of purity, innocence, and the magical anticipation of Christmas - a time when anything feels possible.

The initial concept was to blend the traditional warmth of Christmas with an ethereal, mystical quality, evoking the sense of wonder one feels during the holidays.




Composition: Sketching the Melody

With inspiration in hand, I turned to my piano, the EastWest Steinway D, to sketch out the initial melody.

This melody needed to carry the weight of hope and the lightness of joy, a balance not easy to strike.

The melody for "Luminal Wish" started with a simple, ascending line, reminiscent of a wish taking flight.

I played around with various chord progressions until I found one that felt like it encapsulated the feeling of light emerging from darkness - a C to C augmented transition in the intro, setting the tone for the mystical journey ahead.


Choosing the Ensemble

The ensemble for "Luminal Wish" was selected to paint this musical picture vividly. I envisioned a fusion of classical and modern elements:

  • Pianos: Two distinct pianos were used - the Steinway D for the foundational melody and the celestial Piano Uno for adding layers of enchantment.

  • Strings: Hollywood Solo Cello and the BBC Symphony Orchestra Cello to provide depth and warmth, with a Stradivari Solo Violin to lead with its expressive lines.

  • Woodwinds: The Cor Anglais (English Horn) for its emotive depth, Bassoon for richness, and Flute for its airy, festive sound.

  • Brass: The Majestic Horn from Orchestral Tools


Exploring Spatial Audio: The Atmos Dimension

Once the core composition was laid down, the next frontier was to explore how "Luminal Wish" could transcend the traditional stereo experience. Dolby Atmos offered a canvas for spatial audio, where sounds could envelop the listener, much like the magic of Christmas itself. The decision to mix in Atmos was driven by the desire to make each note feel like a part of the Christmas magic, coming from all around, above, and even behind the listener.

The process of converting the mix to Atmos involved rethinking every sound's placement:

  • Verticality: Instruments like the Ocarina, which was used sparingly but with significant impact, were placed high above to simulate the feeling of a wish floating into the night sky. The choir was also elevated, giving their voices an angelic, distant quality.

  • Depth and Movement: The pianos were kept close, anchoring the piece, while elements like bells and chimes were positioned further back and moved subtly through the space to mimic the twinkle of Christmas lights or the gentle fall of snow.

  • Balancing Act: The challenge was to ensure clarity in this three-dimensional space. Each instrument had to have its moment without overshadowing others, leading to a delicate dance of volume, panning, and dynamics, all managed with tools like Neutron for precise EQ and dynamic control.

This spatial approach not only enhanced the mystical aspect of "Luminal Wish" but also addressed some of the mixing challenges encountered in stereo, like muddiness from overlapping frequencies.

In Atmos, each sound could live in its own space, contributing to a clearer, more immersive experience.


Embracing the Leitmotif: The Ocarina's Role

The Ocarina, an instrument often associated with simplicity and folklore, became a pivotal leitmotif in "Luminal Wish." Its sound was not just an addition but a narrative device, a musical theme that represented the innocence of a child's hope or the purity of a Christmas wish.

  • Introduction and Conclusion: Used only twice, the Ocarina was strategically placed at the beginning and end of the piece. At the start, it introduced the theme of wishes, setting the stage for the journey. At the end, it returned as a resolution, a gentle reminder that the magic of Christmas, and of wishes, lingers long after the night has passed.

  • Emotional Anchor: Its simple, clear tones provided an emotional anchor, connecting listeners back to the theme of childlike wonder amidst the more complex orchestral arrangements. This leitmotif approach gave "Luminal Wish" a narrative thread, making it not just a piece of music but a story told through sound.

  • Spatial Magic: In the Atmos mix, the Ocarina's sound was placed


Conclusion

Crafting "Luminal Wish" from a mere concept to a fully realized composition in both stereo and Dolby Atmos was a journey through the heart of Christmas magic. It was about capturing the essence of hope, the silent beauty of a winter night, and the joy of shared human experiences through music.

From the initial inspiration of a starlit Christmas Eve to the meticulous selection of each instrument, the process was a dance between tradition and innovation. The introduction of spatial audio through Atmos allowed us to weave a more immersive narrative, where listeners could feel enveloped by the warmth and wonder of the season. Each note, each sound placement, was chosen to evoke the feeling of making a wish, the anticipation of its fulfillment, and the magic that the holiday season holds.

The Ocarina, acting as a leitmotif, reminded us of the purity and innocence at the core of Christmas, ensuring that "Luminal Wish" was not just heard but felt. It connected the piece to the timeless act of wishing, making the music a companion to personal reflections and celebrations.

As "Luminal Wish" now plays across streaming services, in homes, and in the hearts of listeners, it stands as a testament to the power of music to transcend mere sound. It's an invitation to everyone to pause, to dream, to wish. It's a reminder that in the quiet moments of Christmas, surrounded by the magic of the season, we are all connected by our hopes and our shared humanity.

In the end, "Luminal Wish" is more than a track; it's an experience, a moment captured in time where music, technology, and tradition fuse to create something truly special. May it inspire many to find their own "luminal wish" amidst the festive lights and the silent night.


Trevor Enright

From Limerick Ireland.

Have a varied educational and work history.  Have studied my primary passion for music in both Limerick and Dublin and later Los Angeles via UCLA Extension Program.  Graduating in Film Scoring.

Prior to Music taking centre stage, I studied and graduated in Applied Computing at LIT in Limerick Ireland.  This knowledge became very useful when applied to understanding and implementing Music Technology.

Despite a passion for music and technology, another interest in Technology and Information Technology took hold, and have worked in various capacities in Technical Service Desks and the world of Customer Service.  This was further enhanced via graduating from TU Dublin in Fundamental of Customer Service & in addition that completing CompTIA Networking Certifications.

Bringing all these passions together required the development of additional skills, and in that vein have enjoyed new passions in web design, photo-editing, video editing, writing and all thing creative.

I very much of the opinion that lifelong learning can bring diverse passions together.

https://trevorenright.com
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